f.1r contains a fragment of calendar and other work
Missing the beginning
Includes only a part of the text, 1.1-26.5; 55.1-55.6.16; 80.9.1-89.2.65; 94.1-96.6; 108.12-113.5; 118.1-137.9.10, see DH Leipzig
Palimpsest over the code of Justinian. First bit of each book cut away
Scribe: Clemens Salernitanus, copied from an edition printed no earlier than 1487
See Jordanus #9953, glossed, both interlinear and marginal
See Biblissima
Several diagrams throughout the text
Starts in the middle of Andria
See Biblissima, from Sienna
See Buonocore, Marco. “I Codici Di Ovidio Presso La Biblioteca Apostolica Vaticana.” Rivista Di Cultura Classica e Medioevale, vol. 37, no. 1, 1995, p. 20
See Biblissima,
See Biblissima, some of the glossing is 14th C
Dated Jan. 20, 1466 in colophon on f.76r. Scribe Franciscus Antonius
See Biblissima, f.1r-11v is a 15th C replacement of the text
Table of Contents on f.1r
See Biblissima
See Biblissima
See Biblissima, ff.17-20 are a 14th C addition/replacement
Includes marginal notes and glosses from the 14th-15th C. See Biblissima
See Biblissima
The author of the gloss is unknown
See Biblissima
See Biblissima
See Biblissima. Scribe: Pietro Ciacchi. Signed and dated "1410" on f.96r, but the script looks later. Ullman posits an L was forgotten, either before (1460) or after (1440) the X
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Buonocore, Marco. “I CODICI DI OVIDIO PRESSO LA BIBLIOTECA APOSTOLICA VATICANA.” Rivista Di Cultura Classica e Medioevale 37, no. 1 (1995): p. 20
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Jordanus #9954, see Biblissima
See Biblissima. ff.IVv-XIr are a detailed index in a 15th C hand on paper
date of composition, 1273, given in rubric
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
Scribe: Cristoforo Schioppo. See biblissima. Dated and signed in colophon on f.108r
See Biblissima
See Jordanus #9956, Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima. Dated in colophon on the inside of the front cover
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Jordanus #9957
See Biblissima, includes 13th and 14th C marginal glosses
See Biblissima
See Biblissima
See Biblissima, scribe: Ursuleo Pietro
See Biblissima
See Biblissima
See Biblissima, rubric extremely faded
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
Scribe: Niccolo Martinozzi. See Biblissima
See Biblisssima
See Biblissima
See Biblissima
multiple scripts, see Biblissima
See Biblissima
See Biblissima, colophon on f.76v
See Biblissima. This manuscript was made for the Duke of Genoa, and is dated and signed in colophon on p.209 May 27, 1411 (but CCCCXI is redone in later ink, perhaps 1461 was meant)
See Buonocore, Marco. “I CODICI DI OVIDIO PRESSO LA BIBLIOTECA APOSTOLICA VATICANA.” Rivista Di Cultura Classica e Medioevale 37, no. 1 (1995): p. 21. See Biblissima. Many generations of commentary and gloss
See Biblissima,
See Biblissima,
See Biblissima. Commentary at front is 15th C, main text is 14th
See Biblissima
See Biblissima
See Biblissima
Note there are 14th and 15th C replacement leaves and decorations added to the orignal MS. See Biblissima
See Biblissima. First page is heavily damaged, with a large piece replaced
See Biblissima
See Biblissima, rubric is worn away. some interlinear glosses
See Biblissima
See Biblissima, scribe: Giovan Marco Cinico
See Biblissima,
See Biblissima, scribe: Ursuleo Pietro
See Jordanus #9958
See Jordanus #9959, ff.1r-252r are in a late Beneventan hand. See Biblissima.
Wow! An absolutely gorgeous 11th c. copy of one of the classics of Early Medieval herbalism: "De herba vetonica liber" (Book on the Herb Betony) attributed to the Roman imperial physician Antonius Musa, but probably written much later, 4th-5th c. CE. #histmed #medhist https://t.co/oSiqOPbGhB
— Dr. Black's Medieval Remedies (@WinstonEBlack) August 29, 2022
See Biblissima
See Biblissima, part of a set with Barb.lat.162
See Biblissima,
See Jordanus #9960. Composite of two unrelated manuscripts, the first of the 13th C, the second, starting f.379, of the 14th.
See Biblissima,
See Biblissima, illuminated by Gioacchino di Giovanni de Gigantibus
See PAL for siglum A.2.5, scribe: Giovanni Pontano. F.1r begins with an incomplete horoscope diagram
See PAL for siglum A.1.2
See Biblissima, scribe: Gundisalvus Fernandez de Heredia(see ff.198v, 262r), illuminator: Francesco Rosselli
See Biblissima, scribe: Oddo de Beka Alamanus
See Biblissima, dated in colophon on f.393r. Scribe : Bernardus Petri de Basilea
See Biblissima
Horoscope on f.1r dated to 1421-1422
Part II found in Barb.lat.198
Part 1 found in Barb.lat.197
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
starts f.349
ff.IIr-v is a table of contents
Author was a professor of medicine at Padua
Tables of astronomical observations
Includes diagrams of chess games
Dated in colophon on f.126v
See Jordanus #9961, scribe: Johannes de Calomonte Flandrinus
ff.Ir-Vv are a table of contents
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1027[ff.37r-42v, 13th C musical treatise]. f.IVv is a fragment of William of Auxerre's Summa aurea, early 13th C
Signed and dated by scribe and illustrator on f.IVr, "Franciscus Pallantes Cappellanus Triremis S. Sebastiani"
Palimpsest over 2 different 11th C Beneventan MSS
See Jordanus #9962
See [PAL](https://ptolemaeus.badw.de/ms/495# ) for siglum A.5.1
signed and dated in colophon on f.49v, probably copied from exemplar
Assorted musical works. See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 102, 1029, 997 and 989
See JONAS, see Biblissima, ff1r-3v are a 2 month per page calendar
ff.1r-1v is TOC
copy of the original published in 1658
See PAL for sigla A.2.1, B.6, B.1.2, and B.4,
Starts f.289r
Starts on f.7r
See PAL for siglum A.1.2
See Jordanus #9963
See Jordanus #9964, scribe: Theodericus Gothalmanus (signed on f.48v, 107v)
See Iter liturgicum Italicum, from Brescia. Ff.1r-6v is a calendar
See Iter liturgicum italicum, from Florence
See Iter liturgicum italicum, with calendar ff.1r-6v from Reggio
calendar ff.160r-165v
following the edition of Sixtus V
Book 3 of 3
See Iter italicum liturgicum, from Rieti. ff.1r-8r is a calendar, beginning in the middle of Feb.
See Iter liturgicum italicum, from Brescia, St. Giulia (?)
a long rubric at the top of f.1r was already illegible by the 19th C catalogue of Pieralisi
(ff.1r-3v are table of contents, 4r-v is blank and 5 is missing
See Biblissima,
ff.1r-10v is index
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 340 11th-12th C Italian musical notation
According to Ronconi this is the best MS witness
ff.1r-1v is table of contents, ff.2r-v are blank
See Biblissima
See Jordanus #9965, Biblissima, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 234[ff.148r-153v, 11th C neumes]
See Iter liturgicum italicum, from Pesaro. ff.1r-8v is a table of contents/liturgical index, ff.10r-15v is a calendar
Starts on f.108
See Iter liturgicum italicum, from Trasacco(Abruzzo)
See Iter liturgicum italicum, from Emilia-Romana (?). ff.1r-6v is calendar
ff.1r-2r is a computus table
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 541[flyleaf 12th-13th Aquitainian neumes]. ff.1r-6v is a calendar
In a late Beneventan hand
Intro is an 18th C description (ff.1r-3v)
See Iter liturgicum italicum ff.IIr-VIIv is a calendar, main text starts foliation at f.1, comes from S. Maria di Chiaravalle (Fiastra)
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 945, from Florence (ff.1r-8v). Appears to be three different sources bound together, ff.1-8, 9-14 and 15-end
Montecassino-style Beneventan hand, later title page calls it "Lombard". The catalogue dates it to 10th-11th C, but that seems excessivly early
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 750[ Title: Breviarium, Folio: passim, Century: 15, Provinance: Toscana o Todi, No
Bari-type Beneventan hand
The title page and donation letter (ff.IIr-v) is dated 1666
See Iter liturgicum italicum, includes a 12th C Antiphonarium on ff.169r-170v, from Siena (?), See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 266
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 421[ transitional Italian neumes starting f.XCr]. from Agnani
Table of contents on ff.Vr-Vv
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 161[ ff.10r-224r has 12th C neumes] Provi. ff.1r-3v is calendar
See MMMO, , See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 341[ Title: Missale, Folio: 16v, 63rv, Century: 12/13, Source: italiano (transizionale), Notation: Punti legati],See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 361[, Folio: 16v, Century: 12/13, Source: Beneventana, Notation: Punti legati],See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 917[ Title: Passiones, Folio: sparsim, Century: 9/10, Provinance: italiano ( meridionale, Notation: segni musicali]
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 752[ Title: Missale, Folio: passim, Century: 1455-1458, Notation: quadrata],See Ba
ff.1r-6v is a calendar
From St. Anastasius in Rome, see Ex. Libris on f.1r
Beneventan hand
ff. 1r-7v is a table of contents
ff.IIIr-v is an index
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 415 (margins of ff. 155v-157r, 11th-12th C), from Rome, possibly S. Cecilia's in Trastevere
See MMMO, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 366 Note that the music is read in the opposite direction from the images.
ff.IIIr-IVr is an index
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 844[ 15th C notation] ff.1r-6v is a calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 371[12th C Beneventan neumes, diastematic but no staff lines]. From Caiazzo
ff. IIr-IVv is a table of contents
flyleaf is in a semi-cursive hebrew
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 753[Title: Missale, Folio: passim, Century: 1538-1557, Provinance: OP, Notation: quadrata]
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 647, from Florence. ff.1r-6v are calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 755See JONAS
See MMMO, , See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 756. Calendar ff.1r-11r
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 757[ 17th C Quadrata neumes] Scribe: Jacobus Tartanus
f.1r contains a column of omitted text in Beneventan script. From the Monastery of San Giovanni in Fiore
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 373[ Title: Pontificale Romanum, Folio: 58v, Century: 11/12, Source: Beneventana,
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 260 (f.30v) diastematic notation. This bible preserves an unsual old Capitula system
Microfilm
See DIAMM. Black mesural notation. The Missal is 14th C, the following Kyriale is 15th. Calendar on ff.3r-8v, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 758[ Title: Missale, Folio: passim, Century: 1368ca, Provinance: italiano ( meridi
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 759[ from f.102 through the end] from Barletta(?). Ff. 1r-6v is a calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 322[ f.139v]. ff.1r-6v are calendar, f.7r is Computus table. Known as the Holy Sepulchure Sacramentary
See MMMO, , See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 468 Italian notation on the binding strips, from 12th C Antiphonarium
See Beato Amadeu, Nova Apocalipse, introdução, tradução e notas Domingos Lucas Dias, edição crítica Domingos Lucas Dias, Sebastião Tavares de Pinho, Arnaldo do Espírito Santo, (Portugaliae Monumenta Neolatina, 14) Imprensa da Universidade de Coimbra, Coimbra 2014; 638 pp.; ISBN: 978-989-0553-1. ISBN edição digital: 978-989-26-0715-3; DOI
ff.1r-1v is a Table of Contents
Dated Nov. 6, 1425 in colophon on f.60v
ff.1r-2v is a table of contents
starts on f.121r
See MMMO,, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 902, (occasional 12th C musical notation, possibly from Trier). Prefaced with a later note and calendar. ff. 1-9
Flyleaf is an earlier (10th C?) leaf from Sermons of St. Augustine
See Biblissima, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 63[ ff.2r, 6v 12th C German neumes]. The riddles on ff.49v-52r are titled in a Caesarean cypher, see Finch, C. E. (1967). "Codex Vat. Barb. Lat. 721 as a Source for the Riddles of Symphosius". Transactions and Proceedings of the American Philological Association, 98, 173–179. DOI
starts on f.694r
Starts on f.281r
From the library of Juan de Torquemada. See Izbicki, Thomas-M. "Notes on the Manuscript Library of Cardinal Johannes de Turrecremata." Scriptorium 35, no. 2 (1981): 306-11. (https://doi.org/10.3406/scrip.1981.1228).
scribe: D. Ludouicum
Scribe: Dominum Jo. Baptista
microfilm
Starts on p.821
Starts f.279
Starts on f.255r
Scribe: Johannes Vallinus. Written between July 8 and August 15, per f.4r
See Biblissima,
Ff.1-6 are missing
Starts f.234r
Starts f.43r
Starts f.126r
Starts f.237r
starts f.106r
Starts f.15r
Dated July 12, 1629 on f.1r
Commentary on Justinian's Code
Written in Rome, by F. Guillelmus Mithridates Monachada, colophon on f.126r
Dated on f.1r
The map was engraved by du Parac, the text and annotations are thought to be by Menestrier
Microfilm
See Pieniądz, A., Kaliszuk, J., Skwierczyński, K., & Węcowski, P. (2019). Clavis scriptorum et operum Medii Aevi Poloniae. Homini, Tyniec Wydawnictwo Benedyktynów. http://otwartehistorie.pl/books/clavis-scriptorum-et-operum-medii-aevi-poloniae/
Seems to be Pindarian-style odes to Pope Urban VIII
Microfilm
microfilm
Palimpsest
Copied from Montecassino ms 300
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 355 f.135r 11th-12th C Beneventan notation from S. Vincent in Voltorno. Beneventan script
Per note on f.2r, covers the range 1582-1589
Starts on f.102, then skips to f.128. Seems to be a collection of printed engravings. The caption on f.102r is a anagram
dated on f.IIr
See Biblioteca apostolica vaticana. (1974). Saint Thomas and Saint Bonaventure in the Vatican Library: Exhibit on their seventh centenary (1274-1974) : catalogue. --. Biblioteca Apostolica Vaticana. Written before canonization of Bonaventure
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 423 f.141v 14th C Italian Antiphonarium
ff.Ir-v is an index
The pieces not by Scarlatti are of unknown authorship
Begins with an Index, ff.Ir-IIIv
Begins with an index, ff.IIr-v
ff.IIr-IIIv is a table of contents
ff.IIr is a table of contents
From Murano, starts on f.223r
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1014
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1015[Title: Valentinus, Century: 15, Notation: Trattati di musica]
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1016[Title: Valentinus, Century: 15, Notation: Trattati di musica]
Scanned Microfilm
Scanned Microfilm
Microfilm
Scanned microfilm
Views and plans of some small towns/castles


