Monday, March 27, 2017

Queen for a Month - Feilinn's viking dress

After the Edward III and Thyra II World Tour #2, the sewing ladies of the Worshipful Company decided that each person was going to get a new fancy outfit in as if they were "Queen for a Month".  Thyra was my project manager and Marieta was my concept designer for this one.

What did I want?  Cute viking...and a wolf...also blue...and something that fit.

What this meant was we finally delved into my stash of fabric and made a full viking under dress and apron.  The main component of the apron was something termed "Fantasy Viking" in the SCA...I wanted a wolf design right on the apron.  I had found a design I liked on Pintrest from a million years ago (in which I also found examples of Thyra and Aikaterine in lovely viking dresses when they were queens).

This is where I confess this is my third/fourth embroidery project and biggest applique of the bunch.  I was taught how to do a split stitch specifically for this project.  I did all the hand embroidery for this with the exception of the sun detail on the wolf's collar (done by Thyra) and the eye detail (done by Marieta).  The wolf is 30% merino wool felt, layered on itself, and the apron is either a very light weight wool or very wool-like linen.  The design is based off a Fenris wolf design from the depths of Pintrest, edited to remove the rope fetters/shackles on the paws.  I kept the collar and leash to add color and movement.  The thin bits of felt were tacked down with fusing and pinned in place while I started the stitching process.  Dot details are (terrible) french knots.

Queen for a Month: Wolf Applique
Wool felt stitched with wool thread.

Yard stick shown for scale.




Close up of the stitching and detail work.  I have been told I have the tiniest stitches.  My favorite is the gold eye bead on the wolf.

QoC - Cellach Dhonn

Recipient: Cellach Dhonn inghean Mhic an Mhadaidh
Assignment: Queen's Order of Courtesy
French translation: Kirsa Oyutai
Hand: carolingian miniscule
Specs: gouache on pergamenata, 23k gold gilding
Source: Book of Kells, Gospel of St. Matthew


Finished scroll


Close up of the capital "N"

Original from Book of Kells coloring book.

This was my second full attempt at gilding and on a much larger scale.  The original for this was actually from a Book of Kells coloring book.  I tried to cross reference the colors associated with it to the original manuscript page which I found...and then lost the link to.  My internet-search-fu has since failed me at fining the link to the original.  The knot work on for the birds of the top was simplified to only be one large thread and one accent thread.  Originally I had thought to keep it simple and have the interior of the N's legs one solid color.  After doing the gilding and painting of the birds, I decided just having the flower wheels on the interior was going to be too plain.  The beast-knots in the interior were hand sketched/simplified from the originals and all the detailing of the squares and flowers where free-handed while painting.

Overall, I'm happy with the piece.  I think there are some things I could have done better for scaling of the capital to the body.  Painting was actually easy and the consistency was spot on.  The gilding I'd like to practice more because of issues I had with making the miniatum flow nicely (so there are ripples in the gold that to me are noticable).

Words were by me and read as follows:
"We speak the languages of man, but also many others such as the language of blades or of arts or of service. These are languages spoken through deeds, boldly on event fields or quietly at home. There is one special language in which Cellach Dhonn inghean Mhic an Mhadaidh is well versed. It is the language spoken when addressing a high noble lord or the youngest fussing babe. Its message is spread by helping hands, a mischievous grin, and sometimes even by the gift of fudge so plentiful not even the fearsome Eastern army could consume it all in one sitting. This is the language spoken by the heart of the kingdom; the language of courtesy. It is with great joy that We Anna, induct Cellach Dhonn into Our Queen's Order of Courtesy. Done at Our 12th Night Celebration."

Saturday, February 18, 2017

Burdened Tyger - Aethelhawk

Originally scheduled to go out at K&Q Equestrian Champs.  It did not go out at that time, hence the delay in posting this.

The recommendation was particularly inspiring and led to easily writing up the scroll text for this assignment.  Thanks, Lady Fortune!

The award was for a Burdened Tyger for their Majesties' Coronation which was a period Anglo-Saxon affair in terms of food (and holy cow was it delicious!!).  Gunðormr was gracious enough to find a very interesting source...but it was mostly pen and ink drawings.  Something I've never done on a scroll before.  I was gently encouraged by my friendly neighborhood Duchess to just do it since it was technically one step less than a regular illumination.  With arguments like that....

As I mentioned above all art was done using a crow quill which I've had varying success with in past projects.

First use - Too blobby and ink all over the place.  Gross.  Repaint the illumination so you can't tell and use a micron pen.  Scroll goes out and I'm mildly frustrated.

Second use - Blobby and still looks terrible.  Use a micron pen. Scroll goes out and I'm convinced crow quills are the devil.

Third use - Using it to put the "caps" on calligraphed letters.  Not terrible but I suffer from massive shakey-hand.  Final verdict is this is "okay".
Or sometimes I call them calligraphy hats. 


With that rousing bit of confidence....this is the original I chose to base this off of.  The goal was to keep the servant and cut down the high table to just the king and the queen.


Some pen work for a beard and a bit of detail work and the servant suddenly becomes a Aethelhawk.   I changed the facing for the man and added a bit of Kenric'ing to make it look right.  The Avelina figure needed some awesome hair (which I love on the figure and on the real person too).   Soooooo.....getting the draping right was the hardest part of this one.

Sketch work and hand smudges are all done

But once that was done, I was home free to do the calligraphy.  I added the Burdened Tyger  symbol underneath the vase to give it a little more sense of balance.

Recipient: Aethelhafoc Keyfinder (known to most as Aethelhawk)
Assignment: Burdened Tyger
Hand: carolingian miniscule
Specs: Pelikan ink on pergamenata
Source: http://www.bl.uk/manuscripts/Viewer.aspx?ref=add_ms_24199_f016v
Finished scroll with a little bit of color.















The best part of this scroll for me was doing the wording. The award write up was immensely helpful in providing inspiration for this.

"Fortune favors fair Quintavia, made manifest by the miraculous feats of culinary skill by saintly Aethelhafoc Keyfinder who fed hundreds of pilgrims gathered at the coronation feast.  So, impressed by his work, King Kenric and Queen Avelina return to the Shire, and induct Athelhafoc into the Order of the Burdened Tyger."






Silver Wheel - Sile



Scroll assignment:Order of the Silver Wheel
Recipient: Sile inghean Mhic Charthaigh
Calligraphy by Thyra Eiriksdottir
Specs: Gouache on pergamenata

I used the Schmincke silver for the capital and wheel for this and it came out quite nice. Below is a side by side comparison with the original along with some progress pictures.










Pelican Regalia - Marguerite

This is a Pelican Veil for Countess Marguerite. 

It was decided to do something for her Indian persona (Megha) and allows her to have something light wight, wearable indoors, and can be taken to Pennsic.  The pelican design is from a period appropriate source found by one of the greater members of the Indian persona community  in the SCA and done as wood block prints. 

The blocks were carved by Sir Zhigmun Czypsser.  The veil was hemmed and stamped by various ladies of the Worshipful Company of Their Majesties' Underwear (many of whom are part of Marguerite's household and sister household).

Green silk with white acrylic paint mixed with fabric medium.


Center of the veil.

Thyra in progress of stamping!

Adding a pelican border to the hemmed sides.

Pelican placement was planned ahead of time

Once one side was done, the other side was done to mirror it.


Silver Rapier - Aesa


This is my first foray into fake calligraphic hands.  The recipient was noted as having a Middle Eastern persona.

Recipient: Aesa Ormstunga
Assignment: Silver Rapier
Hand: pseudo-Arabic (http://scribes.antir.sca.org/Scribes/CharterGuidebook/pdf and THL Helena Sibylla
s Faux Hands for Calligraphy hand out)
Specs: gouache on pergamenata
Source: (forthcoming)

Friday, August 26, 2016

Pennsic commission - Gift Scroll for Count Cellach

This project was a favor done at Pennsic this year.  Lady Fortune put out a call for scribal help for a friend with the promise of a suitable bribe.  Because I am a glutton for punishment, I thought this was a fantastic idea with the atrociously bad heat.  My only demand was I was provided words.

I met a very nice squire who told me of a gift he was giving to Count Cellach.  I'm a sucker for a great story and well...how could I say no to someone so nice and sincere?  No bribe needed. :)

This took about 1-1.5 hours done in a single sitting.  There are a few flaws in here, the most noticeable one is where I sweat on the page.  It was after all, over 104 degrees with the heat index,  and I was sticking to everything.

I even did capital letters!  Go me!  (I did suffer from a bit of shaky hand at the end, but it got done and he loved it)