Tuesday, March 8, 2016

Compass Star - Cassandra Grey's Laurel Coat

This was my second embroidery project (finished for Yule December 2015).

I was convinced to help out with the laurel coat for Cassandra Grey's elevation since it was sold to me as a "small embroidery project".  Well..that and I couldn't say no. :)

Duchess Aikaterine spearheaded this project of a coat fitting for a middle class Elizabethan woman that incorporated Cassandra's compass rose design.  Each person would be given a kit to work on and they would later be appliqued onto the coat.

Aikaterine's design schematics


Aikaterine's finished applique.  Setting an amazing example for the rest of us.

I learned SO MUCH doing the embroidery for this like:

  • Metal thread is a pain
  • Couching! 
  • Beading
  • How to be sneaky with a group of 10+ people
The finished coat was paneled for Athena's Thimble and we were given competency for Free Embroidery, Applique, and Metalwork.

Some last minute finishing work was done the day off by the group right before the panel and before court.  Epic teamwork by all!

Go team sneaky embroidery!

I will post a picture of my individual star at a later date.  This is one I didn't get a chance to do progress pictures of.  On the plus side, everyone signed their names into the embroidery so we could keep track of them. Photos to come!

Award of Arms - Erik

This was an AoA due for 12th night Jan 2016.  A few of us were furiously working on garb for Simon's knighting and something for Tullia to wear to court (she was getting her AoA in addition to being front and center in the knighting procession).

Marieta found a nice late period source that was similar enough to the Italian manuscripts I was looking at for me to choose this.  Funny enough, we believe our two AoA recipients were dating so it was only fitting they were being worked on at the same time.

My goal was keep it simple, clean, and don't try anything new because I had a bunch of stuff going on.  I'm particularly proud of the white work and details.

Recipient: Erik Gutermuth
Award: Award of Arms
Hand: Humanist bookhand
Specs: guache on bristol
Source: http://daten.digitale-sammlungen.de/~db/0010/bsb00103265/images/index.html?seite=14&fip=193.174.98.30


Thursday, March 3, 2016

Court Barony - Marieta

This was many of the secret projects I was working onto be given out at Yule (December 2015).  Thyra approached me about tag teaming this project and I immediately started doing some digging.

Something to keep in mind during this process:  I host weekly an informal scribal work day at my house every week and the recipient of said secret project is a regular attendee.  I had to work on this scroll without Marieta catching on (and also gathering anecdotal information about her persona and things she likes)

As part of the Queen for a Month garb project with WC, I found out her persona was a textile worker from the Netherlands and had a range of dates to work on for time period.  I hit the jackpot with the source text on Pintrest as some beautiful and lovely person linked the page back to the original source.  <3  I looked at a few pages from the source to look at examples of marginalia and layouts and consulted with my intrepid calligrapher Thyra.  The super bonus for this is it had red and blue flowers (which I found out later Marieta's favorite color is blue).  Since my artist mark is a blue flower, I thought it was nice that both Thyra (favorite color being red) and I had another signature on the piece.

One particularly sneaky thing we did was have Marieta work on the resubmission of her heraldry and had her sent the original docs to my husband so we could print them.  Once those were printed, those files were emailed to me to use to incorporate her mice into the design.

Stylistically I wanted to give a nod to the activities Marieta enjoys and things that were a part of the reason she was getting a Court Barony.  Mice (which are a main part of her device) became an obvious choice to include.  I worked in a scribal mouse, an embroidery mouse, a mouse waving a pennant,  one holding a shield (for her arms when they pass), and two at the bottom of the scroll holding up the line drawing of the court barony coronet (I call those the Triforce mice).

Without further ado...

Recipient: Marieta Charay
Assignment: Court Barony
Words and Calligraphy: Thyra Eiriksdottir
Illumination: me
Specs: Guache on pergamenata
Source:https://www.pinterest.com/pin/452471093786986945/, http://www.sothebys.com/content/dam/stb/lots/L12/L12240/252L12240_6G4XZ.jpg (Southern Netherlands Book of Hours, also note there is a calendar component for more capital letter examples)

Completed piece!
Thyra's calligraphy is done.  Artwork is 50/50 freehand and tracing.






















The outlining of the mice was not my best work, but I also was on a tight and very secretive deadline.  The gold I borrowed was from Constance.  It's a very neat cake of gold paint that acts a lot like shell gold.  Once I got the hang of it, it was awesome!  The swirlies were inked with a crow quill.  I would have loved to do more detail and fussy work on the flowers, but I was running into the "fuss with it and potentially screw up" vs "it's done, lovely, and don't overly work it" conundrum.  I opted to leave it as is with the thought that I could always steal it later to do more work on it.  Fast forward to now, it's already framed and hanging on a wall which means it's perfect the way it is.




Monday, February 29, 2016

Sketch time - Tyger courant

A call went out on FB and G+ in November 2015 for a line drawing for a "tyger courant" which would be used for the badge for the Golden Lance, a new (in the East) Order of High Merit for equestrians.

I said I'd take a stab at it and spent a bit of time fiddling.  I did a general trace of the East Kingdom populace badge and then freehand/tweaked the entire thing to make it less "meh"... oh and of course move the legs into a courant or running/leaping pose.

Heraldic tygers are weird creatures.  Between the beak, puffy fur, and weird toes, I fought with myself for a bit on what looked "right" for it.  The finished product was outlines in a back micron pen and emailed away.


Embroidered Rose -Caoilfhionn's Rose Cloak

At Pennsic I was convinced to go to an Athena's Thimble guild meeting and panel a counted cross stitch Tyger's Cub I was working on.  I've done cross stitch since I was young so it wasn't a huge deal for me.  My first "official" project was handed to me while a bunch of people were over my place watching football.  It was to embroider a rose for a small cloak for Princess Caoilfhionn's (soon to be Queen Caoilfhionn II) at coronation.

Once I got over the "I'm making something for the queeeeeeeeeeeen" panic, I sat down and did it.  It's very simple and took inspiration from Anastasia de Monte's embroidered rose for the same cloak with keeping it simple.  I learned the reverse chain stitch for this and learned "back stitch" was actually the right name for my straight lines.

The tiny arrow points to my rose.

The finished cloak with all roses attached.

Award of Arms - Ciar

Recipient: Ciar of Skye
Award: Award of Arms
Hand: carolingian miniscule
Specs: guache on bristol
Source: Lindisfarne Gospels, 10th C





Tyger's Cub - Arya

I love the Tyger's Cub award.  Plain and simple it is one of the best we give out in the kingdom.

I did something to my right hand/wrist, LARPed, and then irritated my wrist to the point where I needed to use a brace for a bit.  I did a bulk of the calligraphy pre-brace.  Doing the calligraphy and illumination completely fatigued me and it took a lot longer than I thought to finish it up.  I also somehow could not find my exemplars of carolingian miniscule or my copy of Drogan.  I ended up doing the calligraphy in a chancery hand instead.  Because of the time crunch and fatiguing issues with my wrist, I recycled a source.

The only downside with this scroll is the quality of the photo makes it so you can't see the bit of whitework/detailing.

Recipient: Arya the Braider
Award: Tyger's Cub
Hand: Chancery
Words: Alys Mackyntoich
Specs: guache on bristol
Source: Gorleston Psalter, England (Suffolk), 1310-1324, Add MS 49622