f.1r contains a fragment of calendar and other work
Missing the beginning
Includes only a part of the text, 1.1-26.5; 55.1-55.6.16; 80.9.1-89.2.65; 94.1-96.6; 108.12-113.5; 118.1-137.9.10, see DH Leipzig
Palimpsest over the code of Justinian. First bit of each book cut away
Scribe: Clemens Salernitanus, copied from an edition printed no earlier than 1487
See Jordanus #9953, glossed, both interlinear and marginal
See Biblissima
Several diagrams throughout the text
Starts in the middle of Andria
See Biblissima, from Sienna
See Buonocore, Marco. “I Codici Di Ovidio Presso La Biblioteca Apostolica Vaticana.” Rivista Di Cultura Classica e Medioevale, vol. 37, no. 1, 1995, p. 20
See Biblissima,
See Biblissima, some of the glossing is 14th C
Dated Jan. 20, 1466 in colophon on f.76r. Scribe Franciscus Antonius
See Biblissima, f.1r-11v is a 15th C replacement of the text
See Biblissima, consists of two parts, ff.1r-24v is 13th C, ff.27r-70v is 14th C
Table of Contents on f.1r
See Biblissima
See Biblissima
See Biblissima, ff.17-20 are a 14th C addition/replacement
Includes marginal notes and glosses from the 14th-15th C. See Biblissima
See Biblissima
The author of the gloss is unknown
See Biblissima
See Biblissima
See Biblissima. Scribe: Pietro Ciacchi. Signed and dated "1410" on f.96r, but the script looks later. Ullman posits an L was forgotten, either before (1460) or after (1440) the X
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Buonocore, Marco. “I CODICI DI OVIDIO PRESSO LA BIBLIOTECA APOSTOLICA VATICANA.” Rivista Di Cultura Classica e Medioevale 37, no. 1 (1995): p. 20
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Jordanus #9954, see Biblissima
See Biblissima. ff.IVv-XIr are a detailed index in a 15th C hand on paper
date of composition, 1273, given in rubric
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima,
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
Scribe: Cristoforo Schioppo. See biblissima. Dated and signed in colophon on f.108r
See Biblissima
See Jordanus #9956, Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima. Dated in colophon on the inside of the front cover
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Jordanus #9957
See Biblissima, includes 13th and 14th C marginal glosses
See Biblissima
See Biblissima
See Biblissima, scribe: Ursuleo Pietro
See Biblissima
See Biblissima
See Biblissima, rubric extremely faded
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
See Biblissima
Scribe: Niccolo Martinozzi. See Biblissima
See Biblisssima
See Biblissima
See Biblissima
multiple scripts, see Biblissima
See Biblissima
See Biblissima, colophon on f.76v
See Biblissima. This manuscript was made for the Duke of Genoa, and is dated and signed in colophon on p.209 May 27, 1411 (but CCCCXI is redone in later ink, perhaps 1461 was meant)
See Buonocore, Marco. “I CODICI DI OVIDIO PRESSO LA BIBLIOTECA APOSTOLICA VATICANA.” Rivista Di Cultura Classica e Medioevale 37, no. 1 (1995): p. 21. See Biblissima. Many generations of commentary and gloss
See Biblissima,
See Biblissima,
See Biblissima. Commentary at front is 15th C, main text is 14th
See Biblissima
See Biblissima
See Biblissima
Note there are 14th and 15th C replacement leaves and decorations added to the orignal MS. See Biblissima
See Biblissima. First page is heavily damaged, with a large piece replaced
See Biblissima
See Biblissima, rubric is worn away. some interlinear glosses
See Biblissima
See Biblissima, scribe: Giovan Marco Cinico
See Biblissima,
See Biblissima, scribe: Ursuleo Pietro
See Jordanus #9958
See Jordanus #9959, ff.1r-252r are in a late Beneventan hand. See Biblissima.
Wow! An absolutely gorgeous 11th c. copy of one of the classics of Early Medieval herbalism: "De herba vetonica liber" (Book on the Herb Betony) attributed to the Roman imperial physician Antonius Musa, but probably written much later, 4th-5th c. CE. #histmed #medhist https://t.co/oSiqOPbGhB
— Dr. Black's Medieval Remedies (@WinstonEBlack) August 29, 2022
See Biblissima
See Biblissima, part of a set with Barb.lat.162
See Biblissima,
See Jordanus #9960. Composite of two unrelated manuscripts, the first of the 13th C, the second, starting f.379, of the 14th.
See Biblissima,
See Biblissima, illuminated by Gioacchino di Giovanni de Gigantibus
See PAL for siglum A.2.5, scribe: Giovanni Pontano. F.1r begins with an incomplete horoscope diagram
See PAL for siglum A.1.2
See Biblissima, scribe: Gundisalvus Fernandez de Heredia(see ff.198v, 262r), illuminator: Francesco Rosselli
See Biblissima, scribe: Oddo de Beka Alamanus
See Biblissima, dated in colophon on f.393r. Scribe : Bernardus Petri de Basilea
See Biblissima
Horoscope on f.1r dated to 1421-1422
Part II found in Barb.lat.198
Part 1 found in Barb.lat.197
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
Part of a ten volume set, Barb.lat.200-209
starts f.349
ff.IIr-v is a table of contents
Author was a professor of medicine at Padua
Tables of astronomical observations
Includes diagrams of chess games
Dated in colophon on f.126v
See Jordanus #9961, scribe: Johannes de Calomonte Flandrinus
ff.Ir-Vv are a table of contents
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1027[ff.37r-42v, 13th C musical treatise]. f.IVv is a fragment of William of Auxerre's Summa aurea, early 13th C
Signed and dated by scribe and illustrator on f.IVr, "Franciscus Pallantes Cappellanus Triremis S. Sebastiani"
Palimpsest over 2 different 11th C Beneventan MSS
See Jordanus #9962
See [PAL](https://ptolemaeus.badw.de/ms/495# ) for siglum A.5.1
signed and dated in colophon on f.49v, probably copied from exemplar
Assorted musical works. See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 102, 1029, 997 and 989
See JONAS, see Biblissima, ff1r-3v are a 2 month per page calendar
ff.1r-1v is TOC
copy of the original published in 1658
See PAL for sigla A.2.1, B.6, B.1.2, and B.4,
Starts f.289r
Starts on f.7r
See PAL for siglum A.1.2
See Jordanus #9963
See Jordanus #9964, scribe: Theodericus Gothalmanus (signed on f.48v, 107v)
See Iter liturgicum italicum, from S. Bartolomeo in Florence. Calendar on ff.IIr-Xv
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 747[15th C Kyriale as flyleaf]
See Iter liturgicum Italicum, from Brescia. Ff.1r-6v is a calendar
See Iter liturgicum italicum, from Florence
See Iter liturgicum italicum, with calendar ff.1r-6v from Reggio
calendar ff.160r-165v
Flyleaves are from a 9th-10th C bible
following the edition of Sixtus V
Book 3 of 3
See Iter italicum liturgicum, from Rieti. ff.1r-8r is a calendar, beginning in the middle of Feb.
See Iter liturgicum italicum, from Brescia, St. Giulia (?)
Calendar on ff.1r-6v
Calendar on ff.1r-6v
a long rubric at the top of f.1r was already illegible by the 19th C catalogue of Pieralisi
(ff.1r-3v are table of contents, 4r-v is blank and 5 is missing
See Biblissima,
See Iter liturgicum italicum From Emilia-Romagna(?). There is a calendar on ff.Ir-VIIv
ff.1r-10v is index
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 340[11/12th C neumes scattered, from Rieti, Sabina]. In a strange Beneventan hand, dating unclear
According to Ronconi this is the best MS witness
ff.1r-1v is table of contents, ff.2r-v are blank
See Biblissima
Catalogued as by Hrabanus Marus, Thorndike corrected to Angelicus
See Jordanus #9965, Biblissima, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 234[ff.148r-153v, 11th C neumes]
See Iter liturgicum italicum, from Pesaro. ff.1r-8v is a table of contents/liturgical index, ff.10r-15v is a calendar
Starts on f.108
See Iter liturgicum italicum, from Trasacco(Abruzzo)
Cover is a leaf from a MS of Aquinas' commentary on the Dionysian De divinis nominibus (H/T Pieter Beullens)
See Iter liturgicum italicum, from Emilia-Romana (?). ff.1r-6v is calendar
ff.1r-2r is a computus table
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 541[flyleaf 12th-13th Aquitainian neumes]. ff.1r-6v is a calendar
Detailed table of contents on ff.1r-9r
In a late Beneventan hand
Intro is an 18th C description (ff.1r-3v)
See Iter liturgicum italicum ff.IIr-VIIv is a calendar, main text starts foliation at f.1, comes from S. Maria di Chiaravalle (Fiastra)
See Iter liturgicum italicum, from Tuscany
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 945, from Florence (ff.1r-8v). Appears to be three different sources bound together, ff.1-8, 9-14 and 15-end
Montecassino-style Beneventan hand, later title page calls it "Lombard". The catalogue dates it to 10th-11th C, but that seems excessivly early
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 750[ Title: Breviarium, Folio: passim, Century: 15, Provinance: Toscana o Todi, No
Bari-type Beneventan hand
The title page and donation letter (ff.IIr-v) is dated 1666
See Iter liturgicum italicum, includes a 12th C Antiphonarium on ff.169r-170v, from Siena (?), See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 266
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 421[ transitional Italian neumes starting f.XCr]. from Agnani
Very strange foliation
Table of contents on ff.Vr-Vv
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 161[ ff.10r-224r has 12th C neumes] Provi. ff.1r-3v is calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 917[early Italian musical notation in some places, f.16v top margin as example]
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 752[ Title: Missale, Folio: passim, Century: 1455-1458, Notation: quadrata],See Ba
ff.1r-6v is a calendar
From St. Anastasius in Rome, see Ex. Libris on f.1r
Beneventan hand
ff. 1r-7v is a table of contents
ff.IIIr-v is an index. See CODECS
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 415 (margins of ff. 155v-157r, 11th-12th C), from Rome, possibly S. Cecilia's in Trastevere
See MMMO, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 366 Note that the music is read in the opposite direction from the images.
ff.IIIr-IVr is an index
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 844[ 15th C notation] ff.1r-6v is a calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 371[12th C Beneventan neumes, diastematic but no staff lines]. From Caiazzo
ff. IIr-IVv is a table of contents
flyleaf is in a semi-cursive hebrew
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 753[Title: Missale, Folio: passim, Century: 1538-1557, Provinance: OP, Notation: quadrata]
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 647, from Florence. ff.1r-6v are calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 755See JONAS
See MMMO, , See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 756. Calendar ff.1r-11r
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 757[ 17th C Quadrata neumes] Scribe: Jacobus Tartanus
f.1r contains a column of omitted text in Beneventan script. From the Monastery of San Giovanni in Fiore
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 373[ Title: Pontificale Romanum, Folio: 58v, Century: 11/12, Source: Beneventana,
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 260 (f.30v) diastematic notation. This bible preserves an unsual old Capitula system
Microfilm
See DIAMM. Black mesural notation. The Missal is 14th C, the following Kyriale is 15th. Calendar on ff.3r-8v, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 758[ Title: Missale, Folio: passim, Century: 1368ca, Provinance: italiano ( meridi
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 759[ from f.102 through the end] from Barletta(?). Ff. 1r-6v is a calendar
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 322[ f.139v]. ff.1r-6v are calendar, f.7r is Computus table. Known as the Holy Sepulchure Sacramentary
See MMMO, , See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 468 Italian notation on the binding strips, from 12th C Antiphonarium
See Beato Amadeu, Nova Apocalipse, introdução, tradução e notas Domingos Lucas Dias, edição crítica Domingos Lucas Dias, Sebastião Tavares de Pinho, Arnaldo do Espírito Santo, (Portugaliae Monumenta Neolatina, 14) Imprensa da Universidade de Coimbra, Coimbra 2014; 638 pp.; ISBN: 978-989-0553-1. ISBN edição digital: 978-989-26-0715-3; DOI
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 358[12th C Beneventan numes, from a Roman Pontifical, as flyleaves]
ff.1r-1v is a Table of Contents
Dated Nov. 6, 1425 in colophon on f.60v
ff.1r-2v is a table of contents
starts on f.121r
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 372[ Beneventan notation], possibly from Veroli. First few folios very damaged
See MMMO,, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 902, (occasional 12th C musical notation, possibly from Trier). Prefaced with a later note and calendar. ff. 1-9
Flyleaf is an earlier (10th C?) leaf from Sermons of St. Augustine
See Biblissima, See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 63[ ff.2r, 6v 12th C German neumes]. The riddles on ff.49v-52r are titled in a Caesarean cypher, see Finch, C. E. (1967). "Codex Vat. Barb. Lat. 721 as a Source for the Riddles of Symphosius". Transactions and Proceedings of the American Philological Association, 98, 173–179. DOI
starts on f.694r
Starts on f.281r
From the library of Juan de Torquemada. See Izbicki, Thomas-M. "Notes on the Manuscript Library of Cardinal Johannes de Turrecremata." Scriptorium 35, no. 2 (1981): 306-11. (https://doi.org/10.3406/scrip.1981.1228).
scribe: D. Ludouicum
Scribe: Dominum Jo. Baptista
microfilm
Starts on p.821
Starts f.279
Starts on f.255r
Scribe: Johannes Vallinus. Written between July 8 and August 15, per f.4r
See Biblissima,
Ff.1-6 are missing
Starts f.234r
Starts f.43r
Starts f.126r
Starts f.237r
starts f.106r
Starts f.15r
In Spanish
Table of contents with arabic numbers on f.IIr-Vv
Starts with Table of Contents ff.593r-596r
Dated July 12, 1629 on f.1r
Ff.1r-2v is a table of contents
List of Heresies on f.IIIr
Commentary on Justinian's Code
Autograph copy
Table of contents at start, weirdly foliated
Ff.VIr-VIIIv are a table of contents
Autograph Copy
Autograph Copy
Table of contents, ff.1r-v
Detailed table of contents on ff.1r-5v
Autograph copy
Table of Contents on ff.IVr-XXIVv
Book 1, covers letters A-I. Ends with "Infamis"
Dated in colophon on f.1r, ff.3r-v is a table of contents
ff.2r-4v is a table of contents
Date June 10, 1462 on f.1r
Index on ff.2r-2v
The letures recorded here were given between December 1398 and Feb. 9, 1399
Table of contents on ff.1r-5v
Table of contents ff.1r-3v
Several years of printed pamphlets in a single binding
Table of contents on ff.1r-v
Written in a chancery hand
Text starts on p.919
Table of Contents on ff.2r-6v
Starts f.416r
Table of contents on ff.IIr-IVv
Author's autograph
No text, only a series of drawing of seals and an index
Written in Rome, by F. Guillelmus Mithridates Monachada, colophon on f.126r
Dated on f.1r
Consists of several pieces, the first one is dated MDLXXXXIIX
Autograph copy
Prefaced with Family tree of the 12 Caesars, print from 1528. Table of contents on ff.XIr-XXIVv
The map was engraved by du Parac, the text and annotations are thought to be by Menestrier
Starts f.371r
See Biblissima,
MS starts on f.132
Autograph copy
Autograph copy, dated on f.IIr
Microfilm
Authors autograph
See CODECS
See Pieniądz, A., Kaliszuk, J., Skwierczyński, K., & Węcowski, P. (2019). Clavis scriptorum et operum Medii Aevi Poloniae. Homini, Tyniec Wydawnictwo Benedyktynów. http://otwartehistorie.pl/books/clavis-scriptorum-et-operum-medii-aevi-poloniae/
Written by Antonio Beccadelli (Panormita)
See Biblissima,
See Iter liturgicum italicum from SS. Trinita di Monte Sacro
Some are originals, others copies
A poem in praise of Francesco Barberini in 123 hexameter lines
Seems to be Pindarian-style odes to Pope Urban VIII
Microfilm
Flyleaves are liturgical, contemporary with main MS
Originals, not copies
Starts on f.225
Detailed index and table on contents on ff.IVr-IXr
Secretary: Ioanne Ciampolo. Table of Contents on ff.IIIr-VIIIv
Secretary: Joanne Ciampolo. Index of named on ff.IVr-IXv
Secretary: Ioanne Ciampolo. Table of Contents on ff.IIIr-VIr
Scribe: Ioanne Ciampolo
Written by: Ioanne Ciampolo
Scribe: Ioanne Ciampolo
Copied by Joanne Ciampolo
Written by: Ioanne Ciampolo
Index and table of contents on ff.IVr-XIv
Starts f.318r
Index on ff.4r-5v
Index on ff.VIIr-v
microfilm
Starts f.84r
Text dated 1633, written around then
Long index on ff.Ir-XXIIr
See Biblissima, scribe: Giovanni Girolamo Cerroni
Palimpsest
Copied from Montecassino ms 300
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 355 f.135r 11th-12th C Beneventan notation from S. Vincent in Voltorno. Beneventan script
Per note on f.2r, covers the range 1582-1589
Massive index on ff.IIr-XXXIIIr
Table of contents on ff.2r-3r
Starts on f.102, then skips to f.128. Seems to be a collection of printed engravings. The caption on f.102r is a anagram
dated on f.IIr
Some are originals, some are copies
See Biblioteca apostolica vaticana. (1974). Saint Thomas and Saint Bonaventure in the Vatican Library: Exhibit on their seventh centenary (1274-1974) : catalogue. --. Biblioteca Apostolica Vaticana. Written before canonization of Bonaventure
Note inside the cover, "bound in 1826", translated into Italian
Subtitled: Musical drama
Palimpsest
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 423 f.141v 14th C Italian Antiphonarium
ff.Ir-v is an index
The pieces not by Scarlatti are of unknown authorship
Begins with an Index, ff.Ir-IIIv
Some are spuriously attributed
Several of the arias by De Luca are from _ Il Mauritio._
Begins with an index, ff.IIr-v
ff.IIr-IIIv is a table of contents
ff.IIr is a table of contents
See DIAMM
A Comedy
Composers name is unknown
Possibly by Marco Marazzoli
One work is spurious
Some works are only falsely attributed to Pasqualini
Some of the works as spuriously attributed
Some pieces spuriously attributed
First two acts in Barb.lat.4224-5
From Murano, starts on f.223r
A large-scale drawing related to the church of St Andrew Catabarbara in rome
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1014[Title: Valentinus, Century: 15, Notation: Trattati di musica]. Many pages are decorated with pasted in engravings
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1015[Title: Valentinus, Century: 15, Notation: Trattati di musica]
See Bannister, H. M. Monumenti vaticani di paleografia musicale latina ID# 1016[Title: Valentinus, Century: 15, Notation: Trattati di musica]
Scanned Microfilm
Scanned Microfilm
Microfilm
Most of the texts are 1759-1760, fewer are c. 1715, and a few are earlier
Scanned microfilm
Part of the collection relating to England
Covers January 6-June 29th 1640
Covers March 3, August 30, 1641
Covers January 4-June 28, 1642
Covers January 3-May 30, 1643
Covers June 6-December 26, 1643
Views and plans of some small towns/castles