Use of Paris. ff. 1-12 are a calendar in French, red/blue and gold. See Morello, G. (1988). Libri d’ore della Biblioteca apostolica vaticana. Belser Verlag.. p. 76See JONAS
The manuscript continues in Reg.lat.689 pt.2See JONAS
See Bourgin, G. (1904). "NOTICE: SUR LE MANUSCRIT LATIN 870: DE LA REINE CHRISTINE". Bibliothèque De L’École Des Chartes, 65, 541-556. Retrieved February 12, 2021, from http://www.jstor.org/stable/43005245. Consists of several distinct documents bound together, many are datedSee JONAS
in French (oil-french), see Jonas
Use of Paris. ff.1-12 are calendar. See Morello, G. (1988). Libri d’ore della Biblioteca apostolica vaticana. Belser Verlag.. p. 84See JONAS
f.1 is a letter from Antonius Bellonus(scribe) to the translator
The first part is a pseud-Galenic dialogue on the soul
ff.1r-6v is a calendar, includes Anastasia on Dec. 25, which points to Italian origin
f.1 is a fragment of an un-noted antiphonarium, see Iter liturgicum italicum. ff. 2r-7v are calendar. Dated in colophon on f.416r
See Iter liturgicum italicum, from Malmedy
See Studi e Documenti di Storia e Diritto, Vol. 6 1885. pp. 180-182
Letters translated into Italian, originals in Vat.lat.14670.pt.B.
Original letters, translation into italian in Vat.lat.14670.pt.A.
This was Pontano's personal manuscript and his daughter Eugenia donated it on June 4, 1505 to the Dominican convent of San Domenico Maggiore in Naples.
See Iter liturgicum italicum, from Pavia. Contains notated music. Mix of Temporale and Sanctorale, first leaves missing, begins in the middle of the piece "Aspiciens a longe". Contains extensive marginal notations
Documents date from 1606-1613
in Latin and Catalan
Copied from 2 manuscripts at the Vallicellana and Casanatense libraries
See Iter liturgicum italicum, three parts, ff.1r-40v are 17th C, remainder is 17th or 18th, terminus ante quem provided by donation note, on f.43r "Abbess Maria Dorodea Nardis in 1759". Includes notated music
Letters to members of the Bruti family
See Iter liturgicum italicum. The text was assembled in 1547 by Stefano Crescarelli, Canon and first Sactistan of Caiazzo (see colophon on f.81r). Amended over the 17th C
Older manuscript fragments that were used as covers for registers from the court at Avignon
See Iter liturgicum italicum, from St. Johns Lateran. table of contents from f.2r